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Mark Pellegrino

Mark Pellegrino

60 (1965-04-09)
Los Angeles, California, USA

Mark Ross Pellegrino (born April 9, 1965) is an American actor of film and television. He is best known for his work on Lost and Supernatural.

Mark Pellegrino photo
Mark Pellegrino photo
Mark Pellegrino photo
Mark Pellegrino photo

Most Known for...

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Mulholland Drive 2001 (7.808)

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.


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The Big Lebowski 1998 (7.838)

Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.


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National Treasure 2004 (6.641)

Modern treasure hunters, led by archaeologist Ben Gates, search for a chest of riches rumored to have been stashed away by George Washington, Thomas Jefferson and Benjamin Franklin during the Revolutionary War. The chest's whereabouts may lie in secret clues embedded in the Constitution and the Declaration of Independence, and Gates is in a race to find the gold before his enemies do.


Mark Pellegrino

Mark Pellegrino

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N/A


Most Known for...

Movie Picture

Hello Amiga 2012

The OIAF’s contribution to Nuit Blanche Ottawa is Hello Amiga by the Toronto Animated Image Society (TAIS). TAIS commissioned six Canadian artists – Alex McLeod, Amy Lockhart, Barry Doupé, Daniel Barrow, Lorna Mills & Mark Pellegrino – to create animations by exploring Amiga computers. These machines were popularized for graphics and image generation in the 1980s and early 1990s. The artists have created captivating works that promote necessary critical discourse around animation, ponder the history of recent technologies and embrace new manipulations of old processes.


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