Soldiers of Fortune 2012 ( 4.909)

Wealthy thrill-seekers pay huge premiums to have themselves inserted into military adventures, only this time things don't go exactly to plan.

To Each His Own Cinema 2007 ( 6.5)

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Gloss 2007 ( 5.239)

A pretty, young girl from a coal-mining town comes to Moscow with dreams of becoming a supermodel in this satirical look at the fashion industry.

The Cat Who Walked by Herself 1988 ( 5.8)

Two parents put their child in his crib for the night and leave the room. The child starts crying, and the Cat comes into the room to keep him company. The child grabs her tail, and the Cat angrily reminds him that they agreed a thousand years ago that he would not do that. Upon seeing that the child doesn't remember, the Cat sighs and decides to tell him the story from the beginning. The story starts when the planet was young and life on Earth is starting with dinosaurs.

The Sky-Lark 1986 ( 4.8)

An animated short story by Ersain Abdrahmanov about the Sky-Lark.

SOS: Save our souls 2005

The picture of youth, love and betrayal, the eternal problem of fathers and children. The main actors are teenagers living in a small provincial town. Their parents — decent people who are used to making money in an honest way - do not have the opportunity to help their children. The difficulties that teenagers face at home, once pushing them to steal. What is the moral law in our lives, what is today the place of eternal values — such as love, family, loyalty? What does money mean in the modern world? Where and when does a person cross the line beyond which there is no way back?..

The Professional Avdei Ter-Oganian 2020

What if there will be the Last Judgment for artists? Will the decision of the Last Judgment coincide with the conclusion of the Russian court, which doomed the artist to 20 years of exile? As a child, Avdei Ter-Oganian was fascinated by the works of avant-garde artists. So, the harder he tried to be the professional in the field of avant-garde art, the more critical and provocative he seems to be. But his colleagues, artists, who often became objects of Avdei’s provocations, and even representatives of authorities tolerated him. But once, during Moscow's Art Manege Fair in December 1998, Ter-Oganian conducted a scandalous performance: with a hatchet, he destroyed several icons - cheap objects, one he painted over with a profanity. His performance caused public protests towards his mistreatment of these icons, although they were just objects sold for tourists as souvenirs on the streets. As the scandal grew, Ter-Oganian's exhibit was closed, and further performances were prohibited.

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