Jean Gourguet's 1928 49-minute silent feels like a French precursor to Siodmak's 1930 "Menschen am Sonntag". It shows us how Parisians of the 1920s spent their Sundays, by following the progress of four young people on their day off - a girl, her beau, and his two rivals. The film is at turns comic, wistful and romantic.
The story is about a superstitious village, where the mayor has sold a tower to an unknown, who is soon suspected of being the devil.
In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
