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During a cataleptic fit, Montel is buried alive, a burial plotted by his greedy wife Sofia with several men, including her lover, Montel's doctor. Exiting his grave, Montel goes on a sexual rampage.
Patricia has always been bullied and her abusive alcoholic of a father was no help either. One night she is assaulted in her apartment. She doesn't see the face of her attacker, but notices a scar on the man's back. Her father, stumbling into the apartment, is killed by the rapist. The police searches for the scarred rapist, without success. Patricia starts looking for her rapist - only to find him, when she least expects it.
Marta goes to Lorenzo's bar to bring Matías home. His father's untimely death and Elena's betrayal have left him bitter. As they leave, they are confronted by Pedro. Matías smashes a liquor bottle over the hunchback's head; for this, he is sentenced to one month in jail.
The second of Castellani's trilogy dealing with the less-than-smooth course of young love in postwar Italy (it was filmed just after Sotto il sole di Roma and just before Two Cents Worth of Hope). Leading man Mario Angelotti, loving not wisely but too well, quickly discovers that the penalty for bigamy is two wives. Between his tempestuous Sicilian bride, played by Elena Varzi and his sedate Milanese missus (Irene Gemma), the poor man barely has time to take a breath.
Max Boden, an ingenuitive desert naturalist, is trying to stop the construction of a copper mine on the outskirts of 1939 Tucson, Arizona. Through a series of arduously comical trials, Max learns to use a small motion picture camera to capture images of the unique local flora and fauna that would be destroyed by the mine.
In the bustling chicken stall of Jakarta, a dispute over the last piece of chicken escalates into a surreal journey. Three individuals find themselves transported to an expressionistic jail realm, where a deadly fight unfolds.
