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Daniel Barenboim conducts the Staatskapelle Berlin in this production of Verdi's opera starring Anna Netrebko and Plácido Domingo. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
A Romantic Opera in three acts recorded live at The Amsterdam Music Theatre.
In the plot for this production the story is updated to the 1970s. Gamberotto is a vegetable import/export merchant. According to the Dynamic website Ernestina is a seductive businesswoman. However when she first appears she drifts about reading a book entitled ‘Love’. Buralicchio becomes an Elvis rocker. Leave the rest of the plot alone, yes, including the castrati part, and you are indeed in the land of the ridiculous. Suspend disbelief? Essential if the plot is to have any relevance.
Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.
