The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.
