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Maria de Sá

Maria de Sá

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The Infernal Machine 2022 (6.2)

Reclusive and controversial author Bruce Cogburn is drawn out of hiding by an obsessive fan, forcing the novelist to confront a past that he thought he could escape, and to account for events set in motion by his bestseller decades earlier. Cogburn's search for who is behind the manipulation and mental torment he encounters leads to an emotional roller-coaster ride full of fear and danger, where things are not always as clear as they seem to be, and where past deeds can have dire consequences.


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Lovely, Dark, and Deep 2023 (4.9)

Lennon, a new back-country ranger, travels alone through the dangerous wilderness, hoping to uncover the origins of a tragedy that has haunted her since she was a child.


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Se Puder... Dirija! 2013 (4.4)

A valet parking attendant borrows a client's car to spend the day with his son, but gets into unexpected trouble.


Durvinha

Durvinha

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Lampião, o Rei do Cangaço 1937 (8.8)

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)


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The Last Cangaceiros 2011 (8)

For more than 50 years, Durvinha and Moreno hid their real identity even to their own children, who grew up thinking their parents' names were Jovina Maria and Jose Antonio Souto. They had belonged to the gang of the most famous Brazilian bandit's leader. The truth was revealed when Moreno, at the age of 95, decided to share the weight of memories with his children and meet alive relatives, including his first child. The 'cangaceirismo' was a form of 'social banditry' born in northeastern Brazil in the early XX century in a scenario of extreme poverty, violence and anarchy.


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