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Maria Gelmetti

Maria Gelmetti

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Most Known for...

Movie Picture

Necropolis 1970 (4.7)

Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.


Movie Picture

Girolimoni, the Monster of Rome 1972 (7.1)

In Mussolini's Rome a murderer is targeting young girls. The movie explores how the fascist mind works, how it plays its values off the sentiment of the masses and explores the role of the press in creating a unified narrative.


Movie Picture

Adios, Hombre 1967 (5.3)

A man is arrested, tried and convicted for a robbery that was actually committed by someone else. After he gets out of prison, he goes in search of the real robbers.


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