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A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.
Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.
Milo is aging, he is planning his daughter's 25th birthday, and his shipment of heroin turns out to be 10,000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan.
Zulu Djævleræs is a Danish reality television programme, currently hosted by Julie Ølgaard. Every episode consists of 3 heats. The first two heats consists of all-men and all-women driving against each other. In the third heat, "Djævleheatet", the couples themselves choose who is to drive. This heat includes obstacles, which change from episode to episode. In the third heat the drivers fights for double points.
The film portrays the Swedish playwright, novelist, poet, essayist and painter August Strindberg's life 1849-1912. Through his extensive correspondence and literary production, from the supposed first work, the drama "The Free Thinker" (1869), to the posthumously published "The Occult Diary" (published 1977 ). But also his three wives, Siri von Essen, Frida Uhl and Harriet Bosse, and the children Karin, Greta and Hans are given space in the film. The unpublished first drama "The Free Thinker", depicts a young man forced to break with family and tradition to follow his conscience and ideals, becomes a prophecy about the author's own life.
A short, incomplete story about Danish kings, royal trees, democracy and beech trees, as well as their entwined connection to wild weeds, Abraham Lincoln, neighborhood rules in Houston, and more. The music, composed and sung by Emilý Æyer, references a 1828 play by Friedrich Kuhlau titled Elve’s Hill, the Danish national anthem by Hans Ernst Krøyer (1835), as well as music by the royal composer Heinrich Schütz (1600s) interrupted by made-up speech and experimental sounds.
