Elisa and Anthea support each other through the difficulties of adolescence. But their innocent friendship soon turns into co-dependency and to maintain their cohesion, they develop a dangerous game with a camera. Eventually, their game turns them from victims into offenders.
In a small town in 1970s West Germany, Stephanie is raised by two parents who have no business having children. The mother suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter. Young Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.
When Khalil, a primary school teacher in Berlin, gets hold of images of war from his Kurdish hometown of Cizre, he is forced to question his entire existence in Berlin. His life spirals out of balance as he seems to recognise his long lost sister in the videos – whom he thought long dead. He tries everything to get in contact, to save his sister, to inform the public about this brutal war. And loses himself.
