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Mara Lynn

Mara Lynn

1927-07-17
60

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Let's Make Love 1960 (6.378)

When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.


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Artists and Models 1955 (6.6)

A struggling painter begins taking inspiration from the dreams of his friend and roommate, a comic book fan who narrates an adventure story while he sleeps, but unbeknownst to the latter, the artist of his favorite comic book lives in the same building as they do with the model for her drawings.


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Prehistoric Women 1950 (2.8)

Tigri and her stone age friends, all of which are women, hate all men. However, she and her Amazon tribe see men as a "necessary evil" and capture them for potential husbands. Engor, who is smarter than the rest of the men, is able to escape them. He discovers fire and battle enormous beasts.


Mara Lynn Bastian

Mara Lynn Bastian

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555 1988 (5)

A spate of killings of teenagers by a maniac dressed like a hippie causes a detective to check the records for similar killings. He discovers that every five years, in the fifth month of the year, for five consecutive days, the same type of killings have occurred, and the few descriptions of the suspect always match: he's dressed like a hippie. As the detective searches for the killer, he begins to have suspicions about his superior, an older man who is haunted by memories of his military service in Vietnam.


Mara Lynn

Mara Lynn

N/A

N/A


Most Known for...

Movie Picture

Maidstone 1971 (4.1)

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.


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