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Uruguay, 1973. Having been crushed by the military dictatorship, surviving members of the Tupamaro guerillas are imprisoned and tortured. They must find a way to endure the coming 12 years.
Aboard a cruise ship out at sea, a young sailor discovers a door mysteriously leading to an apartment in Montevideo. Meanwhile, a group of Asian farmers find an abandoned shed in the valley, attributing it supernatural powers.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
