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The Courtyard of the Ballads 2015 ( 5.2)

A New age remake of a portguese classic, Pátio das Cantigas shows the lives of a neighbourhood in the Old Lisbon, including their desires, happiness and sadness, always with a good humour.

O Leão da Estrela 2015 ( 6.1)

The story revolves around Anastácio, a supporter of Leões de Alcochete and Mr. Barata, a supporter of Inferno Futebol Clube. One day, the two teams face each other. Which team will win?

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N/A N/A ( 9.3)

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

Pound x Pound: The History of Juan Manuel Márquez 2012 ( 6.1)

Pound x Pound introduces you to the world of boxing elite through the eyes of Juan Manuel Marquez, four-time world champion. It is a ringside ticket to the professional and personal life of Juan Manuel. An unique access to the truth behind the rivalry with Manny Pacquiao. Read the story behind the Mexican idol, who through work, effort, sacrifices and frustrations, has established itself as one of the best pound for pound fighters in the world.

Timothy Bradley vs. Juan Manuel Marquez 2013 ( 6.7)

Timothy Bradley vs. Juan Manuel Márquez, is a boxing welterweight championship fight. The bout was held on October 12, 2013, at the Thomas & Mack Center in Las Vegas, Nevada, United States on HBO Pay-Per-View.

Mayweather vs. Marquez 2009 ( 9)

Floyd Mayweather takes on Juan Manuel Marquez for a non-title bout at the MGM Grand in Las Vegas, Nevada.

The Flying Liftboy 1998 ( 5.8)

Pupil Abel is the victim of Laura's nasty prank, yet gets accidentally blamed and overreacts. His ma withdraws him from school and gets him a job as lift-boy. But its' a special lift: when he pushes the forbidden green button, it takes him, Laura, Jozias Tump and Maria Klaterhoen to Manhattan. There he's mistaken by a rich woman who looks like his mother for her long missing son Johnny. When a police helicopter comes to tow the lift cabin, the Dutchmen get back in. It takes them to a Latin American country, Perugona. The new revolutionary leader realizes presidents live about one year, so he gives the job to Mr. Tump, who saved his life. The news coverage attracts Abel's and Johnny's family, in time for an even weirder finale.

N/A N/A ( 1)

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A family by force... Paulo and Susana have been together for a few years now and decide to take the next step in their relationship by moving in together. But, as they're signing the deed to the house, her father, who was supposed to bring the check, ends up delivering the bad news that there is no money for the house, thus ending this young couple’s dream. However, Artur doesn’t want to come off as a bad parent, so he offers his attic to them so that they can start their life together. So, Paulo’s dream turns into an absolute nightmare, as their life as a couple is, in fact, shared with seven other people who are all very different from them and will start controlling their every move in a permanently tense environment. The Mata family, as it turns out, is all insane, the only exception being Susana. And even her will have a hard time convincing the rest of the family to accept and welcome their new member.

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O Amor Desceu em Pára-Quedas 1968

Jorge, a former marine who arrived from Angola, is employed as a butler in a house in S. Pedro do Estoril, where the brothers Teresa and Carlos live, who have many friends "ié-ié", among whom stands out Manela, for whom Jorge ends up falling in love... after all, Jorge is the real owner of the residence, and he decided to take a closer look at the lives of his cousins, who settled there, during his absence overseas.

Umbracle 1972 ( 5.7)

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

The Supper 1974 ( 5.333)

Five ex-political prisoners meet secretly in a country house one afternoon in 1974 on the same day that Salvador Puig Antich is executed, to talk about their experiences in prison.

Catalan Poets 1970

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

Enough! 1969 ( 9)

“Through the use of violent symbols (loosely associated with Artaud’s notion of cruelty), some of the consequences of the current social organization in Latin-America are exposed: the alienation, marginalization and reification of men, and the continuous presence of imperialism, considered as rape.” (UU)

Quem É Primavera das Neves 2017 ( 5.5)

The starting point is an unlikely name, Primavera das Neves, a translator of Lewis Carroll, Daniel Defoe and Julio Verne, who disappeared without a trace in the 1960s. Could it be a pseudonym? The search for a name found an extraordinary woman and a life dedicated to beauty and truth. And then a letter arrived warning that the story was only just beginning.

Thank You, Natercia 1960

A wealthy widow, Natercia, helps Alain, a poor young man, to put together the film he plans to make. They decide to pool their resources to make the project a reality. At the first screening, Natercia realizes that Alain no longer needs her.