Selma, a psychoanalyst, deals with a cast of colorful new patients after returning home to Tunisia to open a practice.
Djuna, a writer, lives with Léo in a tiny one-room apartment, which has got even smaller with the arrival of their baby. Overwhelmed by the lack of privacy and a feeling of suffocation, Djuna can no longer manage to write. One day, she decides to commandeer the toilet to have a room of her own.
Amel and her family learn that their landlord wants to get his apartment back in a few months. While Mouna, her eldest daughter, begins to have visions of Charles Martel, and their request for new social housing drags on, Amel has no choice but to reinvent herself.
