Julen approaches Jose, one of the last shepherds of the mountain Gorbea, wanting to portray a way of life that ends. In the time that both spend together the doors to the past open to observe what has remained behind.
“I am not the remains. I exist.” Three Jordanian women barely survived the violence inflicted on them by men. Çelik films them from as up close as possible in their flats, which they barely leave, listening to them speak with the opaque logic of trauma.
