Indochine 1992 ( 7)

Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.

Bi, Don't Be Afraid 2011 ( 5.8)

In an old house in Hanoi, Bi, a 6-year-old child lives with his parents, his aunt and their cook. His favorite playgrounds are an ice factory and the wild grass along the river. After being absent for years, his grandfather, seriously ill, reappears and settles at their house. While Bi gets closer to his grandfather, his father tries to avoid any contact with his family. Every night, he gets drunk and goes and see his masseuse, for whom he feels a quiet strong desire. Bi's mother turns a blind eye on it. The aunt, still single, meets a 16-year-old young boy in the bus. Her attraction to him moves her deeply.

A Phu and His Wife 1961 ( 8.5)

Feature film on romance and social life of the minority ethnic in the Northwest of Vietnam. Mị and A Phủ, a Meo (Hmong) couple, freed themselves with the aid of communist leadership and joined the rising against the French in August 1945. Based on the short story of the same title by Tô Hoài.

Chasing the Dragon 2017 ( 6.9)

An illegal immigrant from Mainland China sneaks into the corrupt British-colonized Hong Kong in 1963, transforming himself into a ruthless drug lord.

Apprentice 2016 ( 6.891)

When ambitious young correctional officer Aiman is transferred to the country's highest-security prison, he catches the attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him.

Lazy Hazy Crazy 2015 ( 4.8)

Childhood friends Tracy, Chloe and Alice share an apartment over the summer. They live close together, meet guys and sell their company as well as sex. With a romantic imagery and sometimes provocative theme the female debutant director Luk Yee-sum give the audience a playful story about sexuality, desire and friendship.

Kén Rể 1975 ( 7)