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Maggie Evans

Maggie Evans

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N/A N/A (7.5)

The story of the determined Scotland Yard Officers who worked to prove who was responsible for the death of Alexander Litvinenko, in one of the most complex and dangerous investigations in the history of the Metropolitan Police.


Maggie Evans

Maggie Evans

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Most Known for...

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San Andreas 2015 (6.246)

In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter.


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Godzilla: King of the Monsters 2019 (6.7)

Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species, thought to be mere myths, rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.


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White House Down 2013 (6.5)

Capitol Policeman John Cale has just been denied his dream job with the Secret Service protecting President James Sawyer. Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation's government falling into chaos and time running out, it's up to Cale to save the president, his daughter, and the country.


Maggie Evans

Maggie Evans

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Most Known for...

Movie Picture

The Bed 1982

The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him. His sister makes believe she’s been sucked under Jamie's bed by a monster and her boyfriend pretends he’s been stabbed. Jamie has his revenge at the end when the couple, laughing at scaring Jamie half to death and frolicking on The Bed, are suffocated by its sheets and consumed by it. We come back to present day; Jamie looks at the empty room where the bed once stood then is called by someone outside: an ambulance driver beckons him down in a friendly voice. We assume it’s Jamie's day out from the mental asylum. The final shot is of the lighter part of flooring where the bed once stood disappearing once Jamie has left the room.


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