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Magda Mazanowska-Barycz

Magda Mazanowska-Barycz

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Most Known for...

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Solo in a Fallow Field 1981 (5.6)

Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.


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Invasion 1970 (6.8)

The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.


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Road 1971 (4.8)

It is a philosophical parable about a man at the crossroads. He divides himself in two, as he cannot decide on the one way only. Each half follows its own path. When they meet again, they do not fit each other any longer. The journey changed them irreversibly.


Magda Barycz

Magda Barycz

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Most Known for...

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The Roll-Call 1971 (5.3)

A penal gymnastics session is underway during a roll call in a concentration camp. A brutal voice shouts furious commands: "nieder - auf!" (down – up!). One of the prisoners will not obey the commands, another one will almost survive


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Labyrinth 1963 (6.3)

A self-consciously Kafkaesque tale of a winged lonely man literally devoured by totalitarian rule.


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Threnody for the Death of a Horse 1968 (10)

A viewer sees how a picture of a horse appears on a white sheet of paper. The horse emerges from successive traces of a black felt-tip pen. The horse is shown in various positions and fragmentary close-ups. It also takes on a disturbing abstract shape of a transparent huddled creature. It looks dead with its lack of limbs, visible ribs and deep eye sockets. It evokes associations with horses who were victims of hostilities. Its contours are blurring. It falls apart. The animated film for adults directed by Jan Tkaczyk, the cinematographer of several dozen animated films. The director used drawings by Barbara Jonscher, a Polish painter and cartoonist, from the ‘Arsenal’ generation. The context of her works often refers to literary works. The series of horse drawings was inspired by Bertold Brecht's poems with anti-war meaning. Andrzej Kurylewicz is the author of jazz music in this film.


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