Movie Cosmos - LookupActor

Actor Lynn-Maree Danzey

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N/A N/A ( 5.561)

A buried UFO slowly turns local inhabitants into gizmo-building alien mutants.

An Angel at My Table 1990 ( 7.014)

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

Sweetie 1989 ( 6.042)

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

Actor Lynne Maree

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House of the Living Dead 1974 ( 4.2)

On a South African plantation, a maniac is on the loose, first killing the estate's animals, then starting on the human members.

Cold Harvest 1999 ( 5.1)

A bounty hunter protects his dead brother's wife in a lawless world after a comet has devastated much of earth.

Deadly Passion 1985 ( 3)

L.A. private eye Sam Black, who lives with his half-brother, Andrew, travels to the Bahamas to assist Abigail Marx, a woman who believes her husband is stealing money from their company.

Actor Lynn-Maree Milburn

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Autoluminescent: Rowland S. Howard 2011 ( 7.5)

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

In Bob We Trust 2013 ( 9.5)

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.

Ecco Homo 2015

Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video. Ecco Homo is a psychological detective story and a testament to a social history rarely documented on film

Actor Lynn-Maree Nash

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Never Forgiven 2015

Detective Sargent Matthews investigates the tragic death of a young boy and makes us question whether anyone should ever be forgiven.

Actor Lynne-Maree Danzey

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I Am Not A Work of Art N/A

A touching, and deeply personal monologue on the subject of disability, by Emily Dash. “In ‘I Am Not A Work Of Art’, I really wanted to explore discrimination, but not in terms of narrating specific instances. It was more like… how does it feel to be made into an object of discrimination? For me, it was about getting people to listen to the full story rather than make assumptions.” Says Emily Dash of her work