Lydia Flores Garcia

Lydia Flores Garcia

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Beck 18 - The Girl in the Root Cellar 2006 (6.1)

A small girl is found dead in a deserted underground cellar. She has been dead for some time but there is fresh food for her. Who is she?
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Fuerteventura 2010 (4)

A man travels to the Canary Islands to get over the loss of a loved one.
Lydia García-Pelayo

Lydia García-Pelayo

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Niñas 2014 (5.8)

A house, a family reunion that is celebrated on the occasion of an important event. Within this context, a group of girls play, dance, laugh, improvise, talk about the most varied topics, while freely enjoying the joy of living.
Lydia García

Lydia García

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Panama Radio 2019

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.
Lydia García Millán

Lydia García Millán

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Color 1955

Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.
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Ritm-Zoo 1956

A symphony of the animal park where the rhythm of jazz are crisscrossed with unforeseen movements and games between animals with the means of in-camera editing. This work was one of the favourites of Lidia García Millán, who deeply investigated the importance of sound in cinema. From this concern came her choice to make a type of non-narrative cinema, where sound (incidental in some of her works) was given special prominence. At the time, this led to disagreements among Uruguayan film culture agents, who sought to create a national cinema geared towards Europe. Thanks to feminist genealogies, her work is now considered a historical reference.
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Un dia feriado 1951

Montevideo 1951