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Four vignettes on the lives of the Cuban people in the pre-revolutionary era. In Havana, Maria is ashamed when a man she loves discovers how she makes a living. Pedro, an old farmer, discovers that the land he cultivates is being sold to an American company. A student sees his friends attacked by the police while they distribute leaflets supporting Fidel Castro. Finally, a peasant family is threatened by Batista's army.
Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban/Soviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a "classic" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.
Through dreams and reality, a Cuban woman learns of the ties her great-grandparents had with the Independents of Color, a political party formed in 1908.
Julie Thompson, a young conservative Christian woman, is truly tested by God and gives birth to a child conceived in rape. This decision leads her on a journey that forces her to explore and redefine her relationships with God, her family, friends and even her rapist Mike Connor, as she struggles to forgive the man who violated her by boldly visiting him in prison and forging an unlikely bond.
