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On a quiet, tree-lined street, an old television set receives a single channel that repeats the same horror film over and over, freeing zombies from the grave to kill.
In the world of the Murkworks where nightmares are made, the evil Synonamess Botch hatches a scheme to make non-stop nightmares. Only Ralph and Mumford, misfits from the cheery land of Frivoli where good dreams are made, can stop him.
This essential, Academy Award–nominated documentary offers an urgent warning from history about the dangers of nuclear warfare via the story of J. Robert Oppenheimer, the enigmatic physicist and all-around Renaissance man who led the Manhattan Project to develop the atomic bomb that America unleashed on Japan in the final days of World War II. Through extensive interviews and archival footage, THE DAY AFTER TRINITY traces Oppenheimer’s evolution, from architect of one of the most consequential endeavors of the twentieth century to an outspoken opponent of nuclear proliferation who came to deeply regret his role in ushering in the perils of the atomic age.
A presently lost underground feature movie, filmed entirely in San Francisco in 1976. Originally shot on beautiful Double X Negative black and white motion picture film (used extensively in studio films of the 1940s), this sequence derives from a digital transfer of a vintage (1990) 1" analog telecine, and shows some scan line artifacting and strobing with fast movement, general image degradation, and cropping at the sides (the latter due to incompetent digital transfer). The present whereabouts of the original film print and negatives is uncertain, though it is still hoped that the entire film can be digitally restored from the original elements. The visual aesthetic was an attempt to re-create the look of Poverty Row horror features of the 1940s, like those produced by Monogram and PRC studios. There was no budget, and everyone worked for free.
