Luka Šuto

Luka Šuto

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LOVEhunt 2019 (5.2)

35-year-old Eliska has a wedding and is waiting for her big moment. Instead of his "yes", the groom says "no" and runs away from the altar. Fortunately, overwhelmed Eliska has a great friend with a clear recipe for what needs to be done. She herself alternates boys as socks and therefore immediately bases her profile on a dating site. She doesn't like it very much, but she is middle-aged, she's single and she's afraid the train won't miss her. And she wants to take life more firmly in her hands. She therefore throws herself into a blind date and tries to find new love between a series of catastrophic meetings. At the same time, she has to move quickly and the only option is to live with her half-brother, a weirdo who grows bees on the roof and who does not want her at home.
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Mat goc 2016 (8)

How do the children of Vietnamese parents view Vietnam - those who speak better Czech than Vietnamese and who feel more in touch with Western culture than with that of their parents? This film tries to answer such questions by combining documentary scenes with elements of acting and a clear dramatic arc. For one of two brothers, a forced journey to Vietnam becomes an opportunity to better understand his origins, and thus his own parents and even himself. Czech viewers get a chance to see behind the wall of uniform cultural stereotypes and breathe life-giving movement into the minority.
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Circus Rwanda 2018 (7.2)

Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?