Confessions of a Brazilian Call Girl 2011 ( 6.515)

Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a sexy call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name "Surfistinha" which means little surfer girl.

Stray Dog 2007 ( 6)

In Porto Alegre, the unemployed Ciro has a dull life in a simple apartment with a nameless stray dog that he had found on the streets. Ciro is supported by his parents and works every now and then in translation of Russian. When he meets the aspirant actress Marcela, who dreams on traveling to other places, they immediately fall in love for each other. However, Marcela has a lymphoma and travels for a treatment, and alone Marcelo becomes depressed and returns to his parents home.

Cabeça a Prêmio 2010 ( 3.7)

The Menezes, a powerful family of animal breeders from the Mid-West, have always been at the helm of all illegal dealings in the region. In recent times, they've watched as the system that protected them for so many years slowly disintegrates. Mirão Menezes lives at the mercy of the drug-trafficking industry, the ever-encroaching authorities, and the constant and violent power struggle with his brother Abílio. Mirão's daughter Elaine becomes involved with her father's pilot, finds herself pregnant and decides to flee with him after her Uncle Abílio bribes them. Brito, the hitman sent to find the couple and finish them off, is ironically also victim of a love story.

S 2017 ( 4.5)

A number of androgynous figures inhabit an underground world of train carriages and tunnels. Performing ritualistic choreographies which combine breakdance and voguing, two iconic dances that originated in black American communities, the characters project a utopian scenario that prefigures Roque’s interest in queer as an emancipated state of hybridization.

Urubu 2020

Experimental short by Luiz Roque.

XXI 2022

XXI guides the audience through the Buenos Aires cityscape— from a car wheel spinning towards dancer Andrés Andino as he vogues through an alley in angel wings, pas vast glass lobbies in the upscale Palermo neighborhood, into an apartment where two men dance. On one level XXI is an exploration of the power dynamics of intergeneration gay sexual relationships, which often see older, wealthier men hosting younger, poorer ones. On another, it’s about the process of transformation: from youth to old age, from stranger to lover, from mobility to stasis. Like the glass lobbies, XXI offers us a glimpse into private space that we are unable fully to access. The city acts as a silent stage for the couple’s pas-de-deux.

Projeto Vermelho 2010