After inheriting a run-down castle, a dispirited woman and her ill-tempered husband decide to spend the night, as time and reality shift around them.
The two washed-up TV stars Micki and Ginger and the unemployed physicist Reno try to kidnap a young woman. But one of the three kidnappers suddenly doubts the value of the money and drives his accomplices mad. The kidnapped woman is already missing. Three children from a good family are looking for their sister: the dutiful Junior, who counts up his day in seconds, his brother Adrian, who, by contrast, thinks life is one big family outing, and Sophia, the artist, who never finds the real thing in life.
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Composer and filmmaker Christian von Borries' new film Desert of the real visits these contemporary wastelands. In a rich collage of acted scenes and documentary footage, he extends the metaphor of the wasteland to today's medial reality. At the heart of so many holographic simulations and replicas, in a world custom-made for selfie and instagram tweets, he reveals emptiness and potential violence. (David Riff) The only way to trace the distinction between the semblance and the Real is, precisely, to STAGE it in a fake spectacle.
