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Luis Puigvert

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Seven Murders for Scotland Yard 1972 (4.2)

Several murders have taken place in London. All the victims are prostitutes and the murderer is using the same techniques as Jack the Ripper. Peter Dockerman, an ex-acrobat and husband of one of the victims is the prime suspect. But whoever the killer is has cannibalistic tendencies and if Scotland Yard doesn't solve the murders quickly the evidence just might be eaten!


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The Killer of Dolls 1975 (4.8)

A groundskeeper's son, who is mentally unstable due to childhood trauma, goes on a murdering spree where his perception of reality is distorted by imagining people as mannequins and vice versa.


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Spanish Fury 1975 (3.7)

Season 1973-1974. After fourteen years of drought, the FC Barcelona of Johan Cruyff is making a spectacular campaign. Sebastián, a great fan of soccer, decides then to join a Barça's supporters club. There he will meet the daughter of his friend Amadeo, an attractive young woman who will not stop until Sebastián agrees to marry her. The couple will celebrate their wedding on the same day that Barça and Madrid compete for the League.


Luis Puig

Luis Puig

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In girum imus nocte et consumimur igni: filmbiografía de Antonio Maenza 2012 (7)


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Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico 2012 (4)


Luis Puig

Luis Puig

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Streetcar for Sale 1959 (7)

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.


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