La liga no es cosa de hombres 1972 ( 3)

Julian is a womanizer who has affairs with several girls at once. To escape the clutches of a cuckolded husband, he is forced to dress as a woman and join a women's professional football team, posing as a famous athlete in Argentina. This is the beginning of a series of deranged adventures.

Busco tonta para fin de semana 1973 ( 3.7)

Fabulous Trinity 1972 ( 5)

In a Wild West town, Miss Nora, a beautiful smuggler, meets Scott, a bounty hunter that goes to Mexico with her for work issues. While they are in Mexico, three smugglers arrested by the military are released by the girl, who used all her seduction skills to get what she wants. But the guerrilla leader realizes the trap and the three smugglers are considered fugitives pursued by the Mexican revolutionaries and by Scott, as the law has put a price on their heads.

Spanish Fury 1975 ( 3.7)

Season 1973-1974. After fourteen years of drought, the FC Barcelona of Johan Cruyff is making a spectacular campaign. Sebastián, a great fan of soccer, decides then to join a Barça's supporters club. There he will meet the daughter of his friend Amadeo, an attractive young woman who will not stop until Sebastián agrees to marry her. The couple will celebrate their wedding on the same day that Barça and Madrid compete for the League.

La nueva Marilyn 1976 ( 2)

Rufino 1998

Tenacity and perseverance are qualities of a good bill collector. You can reach any remote place on Earth, even some other planet in the solar system.

Favio: Chronicle of a Director 2015 ( 8)

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography