Héroe Corriente 2014

In 2008, the former combatant soldier in the Malvinas Julio Aro returned to the islands to close his personal story. After visiting the Darwin cemetery, he proposed to restore the identity of the Argentines who lay as "Soldiers only known to God."

Bajo la tierra 1968

Don Múnera is a young man from Tolima who ran away from the violence in his region, he tries to live in the big city, but things are not any better, so then travels to the gold mines in Antioquia, meets the people and tries to adapt, despite the dangers in town.

The Airship 1994 ( 5.4)

A French woman arrives in Montevideo, to meet poet Juan Carlos Onetti and investigate the story of the city. She is intrigued by the photograph of the day when president Bordaz was killed and a zeppelin flew above the city at the turn of the century. She is helped by a photographer and both fall into a police intrigue.

What Makes Women Laugh? 1997 ( 5.5)

Luci, Graci and Mar­, three sisters that make a comedy trio, go to the wedding of their father with a woman who is 45 years younger than him. During the feast Luci's husband dies in an accident. Despite the tragedy, the trio have to fulfill their commitment acting during August in Benidorm. The widow discovers thanks to a notebook that her husband cheated on her, so she decides to flirt with everyone.

Tijuana Makes Me Happy 2007 ( 5.6)

Every man remembers how hard it is being 15 years old: Your voice is cracking, your hormones are raging, school is boring, the girl you love is a young prostitute who won't go out with you because you don't have enough cash, so you start smuggling drugs across the border in order to save enough money to buy a rooster so you can enter a cockfight and win her love. It's a tale as old as time itself. Tijuana Makes Me Happy, which won the Grand Jury Prize at this year's Slamdance Film Festival, is both a charming coming-of-age story and a celebration of the most infamous of all Mexican border towns.

Windows 1969

On Love, Sex, Violence, War and Tchaikowsky. "The filmmaker uses the objects of painter Salcedo to poke gentle and savage fun at society and its follies... a continuous mad charade!" -- Tom Chomont. On Arocha: "I know of no films more uncompromising in grotesquerie of burlesque, in gigantism of overstatement, than the comedies of Arocha. His actors are possessed to frenzy with their roles, filled to bursting with their identities; they hypertrophy into fantastic growths, revealing comic flaws enormous, monstrous enough to swallow whole the old familiar characters of Samson, Traviata, and Dracula, and even to make the best of us laugh." -- Ken Kelman.

Azilef 1971

La Subienda del Magdalena 1972