I Vitelloni 1953 ( 7.6)

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

Virginity 1937 ( 5.3)

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

The Girl in Blue 1940 ( 6.3)

A painting of a girl from another time comes to life for it's buyer in this costume comedy.

Švadlenka 1936 ( 6)

Even though the heroine works as a seamstress, she would like to become a designer. And she really has the talent, even a businessman from Paris shows interest in her. But many things turn out to be different than they seem at first. This applies to people and love.

The Innkeeper 'At the Wild Beauty' 1932

Diagnosa X 1934