Set at the dawn of Covid, Family Portrait follows a sprawling family on a morning when they have planned a group picture. After the mother disappears and one of the daughters becomes increasingly anxious to find her and take the picture, the rest of the family appears to resist any attempt to gather. Initially presenting itself as a realistic portrayal of a family on an idle but hectic summer day, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.
While images produced for Hollywood appear slick and controlled, a stunt performer's testimony in Crashing Waves reveals otherwise, as they parse out all of the elements that go into a car crashing off a cliff and diving into the water for a TV show. Though the image produced and edited creates a split-second moment of violence for the viewer's pleasure, Crashing Waves uncovers the months of labor, training, and danger that the stunt involved, contingent on capitalist, patriarchal hierarchies in the film industry. The film meditates on the stakes of the real in the dominant culture's production of images and emphasizes the importance of the ethics of care.
A study on girlhood games and the interdependent, semiotic systems they create.
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Lucy can't seem to get comfortable at the beach. A silent dance film (set to Sam Cooke) about movement, impulse, and alienation.
Stranded in the suburbs, student filmmaker Chloe begins to make a documentary about her family's troubled past. Whilst filming, she and best friend Ed, witness an hysterical girl appearing to escape from a neighbour's house, only to be quickly dragged back inside again. Is she a recovering drug addict like the neighbours say? Or is she really in danger from those who claim to be caring for her?
