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cosmos-war-finally-love is a triptych about sequential and spatial indeterminacy. Linearity imposes a closed and rigid hierarchy of sensory organisation based on a fixed, external, geometrically positioned observer and narrative. Cosmos-war-finally-love incorporates the nebulous and swarming character of indeterminacy and ambiguity as opening to expand the plasticity of our transmodal connections, ultimately activating expanded telepathy.
In 1974, a child begins drawing lines on paper, anticipating the thrill of playing a video game. This film captures the essence of that moment, staying true to the act of drawing as if playing a game . As lines transform into sprites, the film evolves, creating a sense of movement and excitement, reminiscent of the classic arcade experience.
