Malú: ni un paso atrás 2016 ( 6.2)

N/A N/A ( 7.3)

N/A N/A ( 7.3)

La Voz is a Spanish reality talent show that premiered on 19 September 2012 on Telecinco. It is part of the international syndication The Voice based on the original Dutch television program The Voice of Holland, created by Dutch television producer John de Mol. One of the important premises of the show is the quality of the singing talent. Four coaches, themselves popular performing artists, train the talents in their group and occasionally perform with them. Talents are selected in blind auditions, where the coaches cannot see, but only hear the audition. The series is hosted by Jesús Vázquez, with Tania Llasera as social media correspondent. The original judging panel consisted of David Bisbal, Rosario Flores, Malú and Melendi as the four coaches. In the second season, Antonio Orozco replaced Melendi.

My Donkey, My Lover & I 2020 ( 6.411)

Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, the father of one of her pupils. When learning that Vladimir cannot come because his wife organized a surprise trekking holiday in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with Patrick, a protective donkey.

Sitcom 1998 ( 6.42)

The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sadomasochist tendencies, and the intrusion of a very free-spirited maid and her husband. And it all started with the arrival in the family of an innocent looking rat.

A Summer Dress 1996 ( 7)

It's summer. Sébastien loves the singer Sheila. Lucia loves boys. As for Frédéric, all he wants to do is work on his tan.

Flamenco Flamenco 2010 ( 7.1)

A look at the history and traditions of flamenco music and dance.

Carmen 1983 ( 6.619)

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

Hannie Caulder 1971 ( 6.238)

Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.

N/A N/A ( 7.6)

Five couples at a critical moment in their relationship search for the answer to the big question: Are they made for each other? The participants will live apart but they will not be alone. They will live with ten single men and ten single women who want to find love. When this experience is over, they will have to decide how they want to return home: with their partner, alone or with their new love.

N/A N/A ( 6.5)

N/A N/A ( 2)

Assis, pas bouger 2025 ( 7)

Croquer 2024 ( 10)

The Queen of Hearts 2009 ( 5.6)

In this musical take on everyday life, Adele is devastated after a painful breakup. Her distant cousin, Rachel, finds her a job and suggests that Adele sleep with other men to get over her heartbreak. The search begins, but Adele can’t escape the visage of her former lover….

And Grass, and Flowers, and Water 2021

France has been confined again for several months. Anna is pregnant. To allow her companion Victor to join her before she gives birth, they have to get married. A dematerialized procedure has just been set up. But the law changes every day.

Malú: ni un paso atrás 2016 ( 6.2)

Archipiélago 1992 ( 5.7)

An architect witness the brutal massacre by the police of an anti-government meeting and escapes to a remote archipelago.

Mala leche 2004 ( 5.8)

Two marginal youths who are friends fail miserably on their first drug transaction. Risking their lives, they embark on an uncontrolled crime spree in order to repay the money within two days.

Tiempos malos 2015 ( 7.3)

Ángel, a teenager whose father is murdered in a slum, leaves high school and participates in criminal activities.

Historias de Terror en una Universidad Pública 2024 ( 10)

A group of audiovisual communication students enters the photography studio for a lighting practice. What they didn't know was that a curse was haunting the studio. Will they have a chance to escape?

YO NO FUÍ 2023

Almost there 2024

A girl waits in the living room of her house for her boyfriend's arrival, but he warns her that he will arrive later than usual that night...

A Day in Ayotzinapa 43 2015

On September 26, 2014, forty-three students from the Rural Teachers College of Ayotzinapa went missing en route to a demonstration in Iguala, Guerrero, Mexico. And almost two years later, the families and the nation are left with few answers. In spite of a massive international investigative effort and a plenitude of theories, there is still no conclusive explanation of what happened to these 43 young men, raising the chilling possibility that the mystery of the students’ disappearance will never be solved. A Day in Ayotzinapa 43 is not a recount of the events, but an intimate foray into a community under siege, as it serves as the symbolic epicentre of a political tension that has erupted at all levels.

Hija de la oscuridad 2025

Estrella lives a miserable life. Frustrated by an unfulfilling existence, she rots away in her home. She doesn’t feel like a good or productive artist, has no friends, her family doesn’t accept her as she is, she’s in love with a boy she doesn’t dare show her feelings to, and she lives reclusively in a cumbersome wheelchair. Her whole world is turned upside down when she begins to have dreams that smell blood—dreams where she is free and a mysterious figure promises her everything she could ever want and more, in exchange for one pitiful price: her humanity. From that moment on, these visions—somewhere between dream and nightmare—begin to shape Estrella’s life. She tries to resist, but sooner or later, she will have to make a decision.

How Many Lovers Can You Fit Inside a House? 2025 ( 10)

I wanted to make a film about polyamory, because I firmly believed that I would love all partners equally. As a relationship became more intense, the foundations I wanted to explore began to conflict with the reality I was experiencing, and the direction of the film changed.