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The film promotes the meeting of two characters that could be opposites: Móveis Coloniais de Acaju, a band with an unusual sound and doomed to failure, and Brasília, the country's capital planned to suceed.
An award-winning doc focusing on the idea of "disappearance" in both fascist dictatorships and our own Western cultures.
In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.
