Documentary about the lives of three Mexican families living in the U.S. without government paperwork.
Film sketches constructed over the past five years investigating temporal composition via single frame-time lapse techniques: light struck metronomes, 20th century dust from a Mayan dream, horology complete with coordinates, Kodak vs. Timex. Preserved by the Academy Film Archive in 2012.
Beginning with black, the potential, adding only the basis of the film phenomenon, the film ritual, the concepts of causation, and primordial semiotics, the work is an annunciation. –L. H.
