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The failed poet Wessel Franken trades his career in poetry for a career as director of a publicity agency.
Born in Amsterdam in 1943, Paul, a Jewish man, attempts to locate his twin brother (or perhaps his alter ego), who was abducted forty years ago and sent to a Nazi concentration camp. As he searches, he becomes increasingly immersed in the story of his life, as well as in an analysis of post-war Jewish identity.
Alternating comedy and drama this portrait of different families on three floors in an Amsterdam building where the stairs symbolizes the suffering of known urban living alongside each other. Upstairs live two students, including the failed and unemployed singer Karin with Harrie and Wouter down with his demented mother.
On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
