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From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).
When parliamentary officer Bertelsen finds the body of a man in a light box at Christiansborg one day, he is immediately given time off with official silence, while a murder investigation is kept secret from the press. The dead man appears to be an international arms dealer, and the government has a problem explaining itself.
In a dystopian future, Denmark's lower classes must live as nomads—living in vans, always on the move, endlessly driving on a system of ring roads. Although they try to maintain a certain degree of humanity in their daily lives, there is no room for emotion or compassion among the wanderers.
