Linda Kubíková

Linda Kubíková

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Monika Načeva Zdivočelí koně 2021

Singer and actress Monika Načeva presents a musical project called Zdivočelí koně (Wild Horses), which takes you on a journey into the arid steppes of the past in her own unique way. Monika, accompanied by drummer Markéta Pták from the band LO/VE and keyboardist David Kabzan from Rány těla, has set out to set the poems of banned artists from the 1960s to 1980s (Pavel Zajíček, Ivan Martin Jirous, Vladimíra Čerepková, Václav Hrabě, and others) to music.
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Moravská filharmonie Olomouc s Michaelou Fukačovou a Janem Mráčkem 2023

In October 2022, the Moravian Philharmonic Orchestra Olomouc welcomed violinist Jan Mráček and cellist Michaela Fukačová to its concerts. Both artists will join forces in Johannes Brahms' unique, mature work, the "Concerto for Violin and Cello in A minor“, conducted by Jakub Klecker. The program opened with Antonín Dvořák's symphonic poem "Polednice," which is part of his tetralogy of symphonic poems based on motifs from Karel Jaromír Erben's collection "Kytice," written in 1896 after Dvořák's return from the United States, followed by a work by the world-renowned Georgian composer Giya Kancheli from 2015 entitled "Nu.Mu.Zu", which means "I don't know" in ancient Sumerian. The highlight of the evening was Johannes Brahms' "Concerto for Violin and Cello in A minor" from 1887.
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From the House of the Dead & Glagolitic Mass 2023

Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.