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Detective Amelia Van Helsing is on the desperate hunt for the killer responsible for a string of grisly murders targeting young women. Matters only worsen when all evidence leads to the seemingly untouchable Count Dracula. And when Van Helsing’s girlfriend vanishes, she is forced to question the very existence of monsters in a final showdown with the enigmatic count.
Wealth, lust, and betrayal set in the backdrop of Regency era England, seen through the eyes of the powerful Bridgerton family.
Five years after the death of schoolgirl Andie Bell, Pippa Fitz-Amobi sets out to uncover what really happened to her. Sal Singh, Andie's boyfriend, admitted to the murder before taking his own life, but Pip doesn't believe he's responsible and teams up with Sal's brother Ravi to uncover the truth. If Sal Singh isn't a murderer and the real killer is still out there, how far will they go to keep Pip from finding out the truth?
Beginning at the industrial revolution of the ‘great north’, Jenn Nkiru draws lines between peoples, cities, countries, buildings, movements, bodies and spaces(s) using a mixture of archive materials and new footage. There is little stillness as we are pushed and pulled through Black histories and communities across the city of Manchester and beyond. Nkiru has termed this filmmaking process “cosmic archeology”, and it is grounded in Afro-surrealism, experimental film and the Black arts movement.
