Lidiya Kartashyova

Lidiya Kartashyova

1881-03-12
90 (1972-01-27)
Moscow, Russian Empire

Moscow, Russian Empire

Most Known for...

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A Great Life, Part 2 1946

This is a dramatic story of the restoration of the mines after the liberation of Donbass from the Nazis during the Second World War.
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Возвращение 1940

Little Nikita, the son of polar scientist Sergei Ivanov, runs away from home with the intention of reaching the Arctic, where he believes his father works. The boy manages to reach Leningrad, where he ends up at the Arctic Institute. Sergei is tasked with returning the runaway home, but Nikita stubbornly hides his origins and the purpose of his escape. Soon, his grandmother arrives, and Ivanov learns that Nikita is his son. He writes a letter to his ex-wife and convinces her of the need to return to him. The couple reconciles, and, preparing for another expedition, Sergei promises his wife and young son that he will return to the mainland on time.
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Heaven 1940

Osoaviahimovets (volounteer military trainee) Andron organizes an aviation circle on his Volna collective farm and plans to build a parachute tower. Pilot Oreshkin, in love with Varenka, the daughter of the collective farm chairman, who is categorically opposed to aviation in the village, promises the guys to bring a parachute soon. And no matter how cunning the chairman is, young people still manage to convince him.
Lidia Kartasheva

Lidia Kartasheva

N/A

N/A

Most Known for...

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The Taras Family 1945 (6.1)

Russian filmmaker Mark Donskoi, of "The Gorky Trilogy" fame, was responsible for the postwar Soviet drama The Taras Family (originally Nepokorenniye, and also released as Unvanquished and Unconquered). A semi-sequel to Donskoi's Raduga (1944), the story is set in Nazi-occupied Kiev. The drama focusses on the travails of a typical Soviet family and on the efforts by the Germans to force the reopening of a local munitions factory. The film is at its most grimly effective in a long sequence wherein the Nazis conduct a search for Jewish escapees, culminating in a horribly graphic re-creation of the slaughter of the Jews at Babi Yar. While Donskoi was critically lambasted for his cinematic "sloppyiness" during this sequence (hand-held camera, rapid cuts etc.), it can now be seen that he was attempting a realistic, documentarylike interpretation of this infamous Nazi atrocity.
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For the Soviet Motherland 1937 (5)

The film takes place in 1921 on the Soviet-Finnish border. Shyutskorov detachments broke into Karelia, killed Soviet activists, burned houses ... In the rear of the enemy with a special task - to destroy the headquarters of the White Finns on the Kimas Lake - a detachment of Soviet cadets under the command of Toivo Antikainen (Oleg Zhakov) was sent.
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Collection of Films for the Armed Forces #8 1942

Russian film album for the war