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The Valley of the Bees 1968 ( 7.1)

Cast out by his father, young Ondrej joins the Order of the Teutonic Knights, where he is raised by strict monk Armin. After years of hardship, Ondrej escapes from the Order when he is wrongly punished, and sets out for his former home. Arriving to discover his father to be dead, Ondrej now not only assumes control of his father's properties, but seeks to marry his former stepmother.

Martyrs of Love 1967 ( 5.2)

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

The End of Agent W4C 1967 ( 6.3)

The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.

Černá punčocha 1987 ( 5.5)

An elderly tailor strangles young women with a black stocking. Inspired by a true crime.