Oleg Nazarov is a captain of a special forces unit, a sniper. But his family and friends don't know about it. Oleg carefully hides his true profession from his wife and daughter, and every time he returns from a mission, he puts on the mask of an ordinary person. Meanwhile, the city where Oleg lives is in a state of panic. The reason for this was a series of murders - every day one person is killed by an unknown gunman.
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
After many years in a Soviet punishment camp Sadik returns home to his village. There he must learn that his brother, who has always been a conformist follower of the Soviet system, lives with the same conformism in post-communist Turkmenistan.
