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Laurent Sauvage

Laurent Sauvage

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Laurent Sauvage photo

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Qui je suis 1996 (5.3)

In 1966, suffering from a serious ulcer, Pier Paolo Pasolini looked back on his life and work. He wrote a long autobiographical poem in prose, which he reworked several times and eventually abandoned. Thirty years after Pasolini's death, Bertrand Bonello decided to make a film about it, in homage to this overexcited artist and key figure of the 20th century.


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Suite Armoricaine 2015 (6.6)

Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.


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Free Subject 2018 (6)

Iris, a teacher in her early forties who works at a Fine Arts School, assigns to her students an exercise on a Free Subject. It is a time when social behaviours and values are being called into question. The 20-year-old students are thrilled at the idea of being free to choose their own subjects. They create an “imagination factory” that has no limits. After finding Iris’s lost cell phone, provocative Yorgos, bases his Free Subject on his fictitious recreation of his teacher’s life. Free Subject deals with the limits of individual freedom in contemporary Western societies.


Laurent Sauvagnac

Laurent Sauvagnac

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The Climb 2017 (6.69)

A true story of Samy, native of La Courneuve, who is out of love for Nadia, decides to climb Mount Everest.


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The Crew 2016 (6.193)

One of the members of a gang of thieves commits a serious mistake that force them to work for a ruthless gang of drug dealers, endangering the future of the team, their lives and those of their families.


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Mission Pays Basque 2017 (5.563)

Sibylle, a young Parisian with long teeth, intends to shine in her new job by buying a hardware store in the Basque Country to set up a supermarket. She imagines that she has "rolled" the old owner but the latter is under curatorship. Sibylle must therefore deal with Ramon, the nephew, to recover his money and sign as soon as possible. Otherwise, the ejection seat is assured. She will soon realize that the Basques do not intend to let themselves be made by a Parisian, however pretty she is.


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