Three American businessmen have a problem with their Brazilian company: someone is embezzling millions of dollars. Michael is having an affair with Frank's wife Paige, but wants to end it. Paige is not so accommodating, and causes trouble with Michael's wife Kitty and his new interest, local artist Miranda. When someone is murdered Michael becomes a suspect, and must try to find the murderer and catch the embezzler while sorting out the wreckage of his personal life.
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At a spring party, a conflict between their children forces two sisters into an old rivalry. As distrust, jealousy and guilt take hold of Eva and Kristien, both their ugliest and most human traits are revealed.
16mm experimental short dedicated by the filmmaker to her mother and the Whitlock family.
A filmmaker, journalist, critic, and film theorist, Germaine Dulac was a pioneer in the early days of cinema. In this video, Laura Ivins shows why Dulac deserves to be better remembered.
'Annie, wake up' is a non-narrative, assemblage film that uses the device of a fictional protagonist, Annie, to reflect on feelings of home, both comforting and oppressive. The ten chapters explore meanings both domestic and communal. Home is a domicile, a community, a geography, and an ideology. The film collages heterogeneous media sources like 8mm home movies, stop motion, direct animation, and archival sound to construct layers of feeling within the frame and throughout the soundtrack. 'Annie, wake up' creates a reflective space that is sometimes brooding, sometimes miraculous, perhaps both.
