Laura García Andino

Laura García Andino

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Most Known for...

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A Sort of Family 2017 (6.382)

What limits does Malena cross to get what she wants most? Malena is a 38 year old middle class doctor from Buenos Aires. One afternoon she receives the call from Doctor Costas, who informs her that she must travel immediately to the north of the country: the baby she was waiting for is about to be born. Unexpectedly Malena decides to embark on an uncertain journey, full of crossroads, facing all kinds of legal and moral obstacles that will make her constantly wondering how far she is ready to go.
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The Returned 2019 (5.464)

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.
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La noche de las cámaras despiertas 2003 (6)

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).