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Latasha Diggs

Latasha Diggs

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Untitled (M*A*S*H) 2018

Leigh’s video work Untitled (M*A*S*H) (2018) imagines a fictive order of black nurses operating on the front of the Korean War, a conflict that began between the United States and North Korea in 1950 and never officially ceased. Like M*A*S*H—the long-running American TV show (1972–83) it parodies—the work directs attention to the overlooked life in the staging grounds. Showcasing the agonizing choices faced by those who staff the tented encampments of war, it perhaps also serves as a reminder that our neighborhoods remain a warfront too. Using only artist’s tools, Leigh asks: How do we transform ourselves and others?


Latasha N. Nevada Diggs

Latasha N. Nevada Diggs

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Lunar New Year 2022

& so Lunar New Year is a durational effort, a sequence of 4 digital, 13 analog vertically oriented portraits, all made handheld with found and available light, presented in order of exposures taken. The series (swallows hard, accepts its truth) is a record in collaboration with those that allowed me to be in space with them, creating quiet encounters in the polyphonic city. Not all is pictured, not all are pictured, just what & who was made available through any number of very specific & amorphous conditions & agreements on this day. A study of the transformative power of light moving through space, & a sincere awe in the ability to render that still, & (as the Meshell Ndegeocello song says) yet it moves, offering the cinema of the everyday, offering description as narrative, operating in the multisensory—text, image, voice, my primary mediums, previously presented in the book, now in cinema, still the book: all efforts in dedicated sequencing.


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