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Set in a near future in which we can separate consciousness from the body. Giving up on being an astronaut, Keiji works on earth and lives with his emotionally unstable wife, Shizuka. One day, Keiji hears a rumor about a new space development, while Shizuka begins to yearn for a consciousness-only existence.
The lives of two lesbian couples intersect in the oppressive urban corridors of Tokyo when one of the partners enlists the services of another to document her suicide in a defiant act against physical and mental breakdown. Anonymous Gods, structured in the form of an adult fairy-tale, raises questions about the nature of art, sexuality, family, and dysfunctional relationships in a social-media driven landscape.
A struggling film director at an existential crossroads takes his life, but is reborn as his muse and forced to face the decisions and relationships that inspired his work. In self-reflexive scenes, the character-actors in Killing the Muse explore the art of filmmaking, sexuality, and their personal circumstances. How much does their art reflect their personal lives? Where and what are the boundaries of each? Killing the Muse proves to be intriguing and engrossing, mind-bending, and often funny.
Ryo is a photographer who is living in the same house with Yudai, a young man who is not her boyfriend though, since he is gay and dating another guy, Masa. Ryo, however, has told her parents that he is her boyfriend, not to let them worry about her. In reality, she is in love with a woman who works in the same studio, although she has kept her feelings completely to herself. Eventually, her fragile balance crumbles when Yudai announces that he is living to leave with his boyfriend, and her object of love that the studio they work in is about to close.
