Klára Žaloudková

Klára Žaloudková

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Journey to Rome 2015 (6.5)

The day’s work never ends for a guard worth his salt, even when the gallery closes at seven. And Vašek is a perfect example, at least until he meets Ginger – a femme fatale who has her own plans where he’s concerned. Love turns this nice lad into a thief: armed with a false moustache, sunglasses and a stolen painting, he gets on a train and it remains to be seen whether or not his journey to Rome is paved with good intentions. The train compartment is full of passengers keen to impart their life stories – to him or to anyone who’ll listen. The withdrawn young man pays close attention to it all, even though he has plenty to worry about as it is. The police and a bunch of crooks are hot on his heels and it’s difficult trying to give them the slip with a hefty painting in tow.
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Všechno bude fajn! 2017

Brno plays the main role in the film. It brings together several story lines of the film, which also meet in the course of the film's narrative. The main axis of the film is the story of Standy Kadlec, an overly trusting and kind man, and his pregnant wife Alena. On the other hand, it is the story of Ladi, the closest assistant of the mayor of Brno, Lang. Ladi is Standa's classmate from high school. He is, however, Stand's opposite in character. While Stand's kindness and good manners condemn him to a life role of a "loser", Ladi gathers shameless success. But gradually we learn who really has the most to lose...
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Communism and the Net, or the End of Representative Democracy 2019

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society.