William Sellers and the Colonial Film Unit developed a framework for colonial cinema, this included slow edits, no camera tricks and minimal camera movement. Hundreds of films were created in accordance to this rule set. In an effort to recuperate black dance from this colonial project, Specialised Technique, attempts to transform this material from studied spectacle to livingness.
A short film exploring the polyphony of collectivity in the desires, motivations and stories that foreground the histories and present(s) of Black British sound. Collective Hum documents a collective in practice through the operation of B.O.S.S using multiple narration, overlapping voices and the sound of group interviews, meetings and events to create a polyphonic score to soundtrack images of the ‘collective bodies, kinaesthetic experience and gestural language’ of sound system culture.
Focuses largely on Scotland and Cape Wrath, wherein a series of characters Uranio (Uranium), Agüita (an affectionate name for water) and Vientazo (a gust of wind), write letters to one another. The letters appeal to the water, the wind and the toxic land, speculating upon the navigation of bodily crisis, health and grief, speaking of the feeling of mourning environmental loss.
