Kemat Hassan

Kemat Hassan

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Most Known for...

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Seniman Bujang Lapok 1961 (8)

Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.
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Son of the Vampire 1958 (2)

"Anak Pontianak" aka "Son of Pontianak' in 1958 starring the Shaw studio's leading lady Hashimah Yon and its male heartthrob Jins Shamsuddin. This horror film also featured a host of supernatural beings,besides the Pontianak and her werewolf son there was also a Polong (in the film the creature was shown as a kind of Mr Hyde alter-ego of one of the characters) and a Hantu Ular (Snake Ghost).
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Antara Dua Darjat 1960 (5.5)

Ghazali, a local musician, and his friends came to the rescue of Tengku Zaleha when her car got stuck in the mud during a downpour.. She requested to take up piano lesson from Ghazali, knowing this would give her a chance to meet him everyday. Their relationship became closer but was quickly separated when Tengku Zaleha's father and brother found out. Ghazali was beaten by several men till he fainted. In the meantime, Tengku Zaleha was brought back to Singapore and forced to marry Tengku Mukri. Few years later, she went back to Anggerik Villa and Ghazali just couldn't believe his eyes when he saw her as he thought she was dead. Tengku Zaleha was torn between two worlds but later decided to end her marriage. When Tengku Mukri realized what was going on, he couldn't accept the fact as his wife had left him, a man of status and wealth, for a commoner like Ghazali.