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Kelvin Kwan

Kelvin Kwan

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Lan Kwai Fong 2 2012 (4.9)

Promiscuous things going on every night at LKF. Tonight, a photographer hits it off with a girl that just broke up with her rich ex-boyfriend; an office boy in advertising mistakes his cell phone for a pretty married woman’s; a broker gets to know a prostitute a lot more than he should; a patrol officer comes across a female DJ working at a night club, they’re like familiar strangers to each other.


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Hardcore Comedy 2013 (4)

3 stories, 3 surprises, magical love, crazy jokes, sexy hot stuff, car stunts, gangsters fights, all in one. The police are after Yao and Yan who later run into Peng. Three of them join the club. A bunch of gangsters want Peng, while the police want Yao and Yan. Meanwhile, Jay and Moon is going fast and furious in a car. They almost hit Peng... All of the characters end up in the same street at the same time. Yet they're all going to be responsible for their own karma.


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One Night in Taipei 2015 (5.125)

A bachelor who decides to propose to his girlfriend with his mother's ring only to have the ring accidentally knocked into the gutter by a boy. He experiences the crazy nightlife in Taipei and meets many interesting individuals throughout his mission to get the ring back.


Kelvin Kwan

Kelvin Kwan

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Cross Harbour Tunnel 1999

Wong's no-budget indie (dreamt up in a night, shot in a week) tells four distinct stories which intersect in the manner of Mystery Train. They range from character-based comedy (a young couple nervously venture into a 'love hotel' for the first time) to Grand Guignol melodrama (a Filipina maid seeks revenge on her two-timing lover - the actress being the director's mother's real-life maid).


Kelvin Tam Kwan Long

Kelvin Tam Kwan Long

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Blue Island 2022 (6.714)

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.


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